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2025-2026 Season
We are proud to announce our 51st season at Theatre West. The 2025-2025 season contains four shows, and runs between October of 2025 and August of 2026.
The Shows

We are proud to announce the new 2025-2026 season!
There are four shows this season:
Beside out regular plays, we are also producing three ‘Reader’s Theater’ events.
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The Subject Was Roses
A troubled young man returning to a troubled home, with all the family interaction that ensues from that.
2025
Sunday Matinee
Nov 16 @ 2:00pmRegular Show Time 7:30 PMPerformances:
Oct. 30-1, 6-8, 13-15, 20-22
Shows start at 7:30 PMMatinee:
Sunday, November 16th @ 2:00pm
The Story:
It is May of 1946 and Timmy Cleary has come home from the war to his estranged parents, John and Nettie, in the Bronx apartment where he grew up. As their reunion promises a return to life as it never was, John, giving up a lucrative business opportunity, attends a ball game with his son and grudgingly, at Timmy’s request, returns with roses for Nettie in an insincere attempt at reconciliation. Reminiscing, the three attempt to recapture the past and all it symbolizes, but the ideal is shattered amidst recriminations. The next morning Timmy announces he is leaving once again, and husband and wife must face the reality of life with only their memories.
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The Sunshine Boys
Two men have numerous issues to work out before they return to normal society.
2026
Saturday Matinee
Feb 7 @ 2:00pmSunday Matinee
Feb 15 @ 2:00pmRegular Show Time 7:30 PMPerformances:
Jan. 29-31, Feb. 5-7, 12-14, 19-21
Shows start at 7:30 PMMatinee:
Saturday, February 7th @ 2:00pm and Sunday, February 15th @ 2:00pm
The Story:
Al and Willie as “Lewis and Clark” were top-billed vaudevillians for over forty years. Now they aren’t even speaking. When CBS requests them for a “History of Comedy” retrospective, a grudging reunion brings the two back together, along with a flood of memories, miseries and laughs. The story follow the attempt by a young theatrical agent to reunite his elderly uncle, a former vaudevillian great, with his long-time stage partner for a TV reunion. Despite their celebrated reputation, the two old men have not spoken in twelve years. Besides remastering their sketch, the two men have numerous issues to work out before they are ready to return to the public eye.
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The Dead Guy
What would you do if you had one week to spend a million dollars until you became “The Dead Guy”?
2026
Sunday Matinee
May 10 @ 2:00pmSunday Matinee
May 17 @ 2:00pmRegular Show Time 7:30 PMPerformances:
Apr. 30-2, 7-9, 14-16, 21-23
Shows start at 7:30 PMMatinee:
Sunday, May 10th @ 2:00pm and Sunday, May 17th @ 2:00pm
The Story:
Under the glare of studio lights, a floundering nobody named Eldon Phelps is thrust into sudden celebrity when a television producer offers him a macabre bargain: one million dollars to spend in a single week, after which he must die. What begins as a carnival of cash and reckless generosity quickly warps into a spectacle of greed, voyeurism, and moral decay, as friends and strangers alike claw for their piece of Eldon’s fleeting fortune. With every indulgence broadcast to a hungry nation, Eldon’s humanity flickers against the relentless machinery of entertainment, until the final day forces both him and his audience to confront the true cost of turning death into prime-time amusement.
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Lungs
An unsettling and funny portrait of a relationship in jeopardy.
2026
Saturday Matinee
Mar 28 @ 2:00pmRegular Show Time 7:30 PMPerformances:
Mar. 27, 28
Shows start at 7:30 PMMatinee:
Saturday, March 28th @ 2:00pm
The Story:
Duncan Macmillan’s Lungs is an intense, minimalist two-hander that follows a young, educated couple as they grapple with the ethical and emotional complexities of bringing a child into a world facing environmental collapse. Stripped of sets, costumes, and lighting cues, the play unfolds as a singular, breathless conversation spanning years, capturing the raw anxiety of a generation paralyzed by “overthinking” their carbon footprint versus their primal desire to procreate. As their relationship weathers pregnancy, loss, and the inevitable passage of time, the play evolves from a sharp, witty debate about global responsibility into a poignant exploration of the enduring, messy nature of human love.”
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